First off, I just wanna say that the Township Auditorium is a very nice venue. It reminds me a lot of The Tabernacle in Atlanta, GA. This was my first dubstep show. There was plenty of annoying white girls and loud dude bro's but I was there for the music more than the crowd.
Skrillex's new album is available to stream via his Alien Ride app or on iTunes. Recess will officially be released on March 18th via OWSLA/Big Beat/Atlantic. View the tracklist below
Skrillex has made the announcement of his Mothership 2014 Tour. Dillon Francis, DJ Snake, What So Not and Milo & Otis will be tagging along with him on select dates.
Cameron Argon, better known by his stage name Big Chocolate is an American musician, producer. He’s also the founder of the death metal solo project Disfiguring the Goddess and has gained renowned work in the music industry by his skill in music production and remixing. Past episodes can be found here. If you like the podcast, write a 5-star review for it and subscribe on iTunes. The sponsor for this episode is Audible.com, the premier provider of digital audiobooks. Audible has over 100,000 titles to choose from in every genre: thrillers, business, romance, comedy, sci-fi and more. Audible titles play on iPhone, Kindle, Android and more than 500 devices for listening anytime, anywhere. Get a FREE audiobook download at www.audibletrial.com/killthemusic
Lindsey Stirling is re-releasing her self-titled debut album on 10/29 and you can pre-order it on Wednesday from Target.com! View a message from her below:
I am very excited to announce that I am re-releasing my self-titled debut album on 10/29 in the US! Target will be carrying an exclusive deluxe version of my album that will feature newly recorded versions and remixes of my songs “Crystallize”, “Elements”, “Transcendence”, “My Immortal” and more, while all other retailers will have two additional bonus tracks (see below for complete track listing)! You can pre-order the album starting on Wednesday from Target.com.
I am so excited to share this with you all.
And don’t worry if you’re not in the US! I’m working on a special release just for you all so please stay tuned!
Album Tracklist:
Electric Daisy
Zi-Zi’s Journey
Crystallize
Song of the Caged Bird
Moon Trance
Minimal Beat
Transcendence
Elements
Shadows
Spontaneous Me
Anti Gravity
Stars AlignTARGET BONUS TRACKS:
Crystallize (Orchestral Version)*
Transcendence (Orchestral Version)*
Elements (Orchestral Version)
Crystallize Mashup (Remix by Wild Children)
My Immortal*
* Exclusive to TargetWIDESPREAD RELEASE BONUS TRACKS:
Elements (Orchestral Version)
Crystallize Mashup (Remix by Wild Children)
Travis Richter is an American musician, music producer, dubstep producer and vocalist. He is known for being the original vocalist and guitarist of From First to Last, and the current guitarist and lead vocalist of The Color of Violence and the lead vocalist for The Human Abstract. He is also a music producer and produces dubstep with ModifiedNoise.
Past episodes can be found here. If you like the podcast, I would be deeply grateful if you would write a 5-star review for the podcast in iTunes. For you, the listeners of the podcast, Audible is offering a free audiobook download with a free 30-day trial to give you the opportunity to check out their service.
Electronic-rock quartet I:Scintilla have released “Marrow 2,” the second EP from the band’s new “Marrow” series. This installment features four new studio recordings that mark a significant progress in the band’s sound and direction. Groove tracks like “Ruin” and “Drag Along” coincide with high-tempo stompers “Skin Tight” and “Sequins & Pills.” Meanwhile, four interesting remixes highlight flavors of electro-funk, stompy industrial/EBM, and experimental dubstep chaos. Definitely something for everyone!
Beartooth, the band fronted by Caleb Shomo (ex-Attack Attack! vocalist!), headlined their first show but are still getting their name out there the old-fashioned way without a label; house shows. The band is currently doing a run of them and I had a chance to chat with Caleb about CLASS, his old band, and his studio.
You can follow the band on Facebook, as well as Twitter. You can follow Caleb on Twitter as well.
For the record, what’s your name and what do you do in the band?
Caleb Shomo and I sing.
Let’s talk about your roots. I’ve never been to Westerville, Ohio before. What’s it like there?
Westerville is amazing. Very chill neighborhoods, great friends, and good times.
You’re headlined your first show with Beartooth; do you feel like you’re starting out at the very bottom, or that you’ve already started working from an established base?
Well, I guess I have some sort of foundation from my past experience in Attack Attack!. I’ve been touring since I was 15 and fronting a band since 17. Definitely makes the stage a lot more comfortable for this new project.
You said in your statement you’re on good terms with Phil Druyor; any chance of you guys touring together in the future?
I’d love nothing more!
Do you currently have a working album title for the record?
Not really; possibly Fear the Tooth? Just been making songs for fun and it’s all been coming together quite nicely.
Did you have any guest vocalists or was it all you behind the mic?
So far, just me. I’d love to get some other singers on the record though!
You said in your AltPress interview that you’ve been doing electronic music since before you joined Attack Attack!, what inspired you to make an EP?
Honestly, I’ve just always love synthesizers. That and I like loud music and having a good time. I want to bring the vibe of a hardcore show to dance music, NOT at all musically, just in the sense of the energy of the show and the vibe. I love energy and just going nuts. I generally treat a CLASS set like I’d treat a show I was fronting for a hardcore band in many ways.
Will we ever hear an extended version of that dubstep outro from Lonely made into a CLASS song?
Haha, probably not. I was very young and not too good at making EDM back then; all about the new stuff for me.
Any chance you’ll do some solo acoustic material? You had a song (Apathy) that was pretty good.
I actually have written songs since then. about 3 or 4. i just have kinda kept those to myself so far. very personal songs.
How will you balance your recording studio and being on tour with Beartooth?
A lot of working. haha.
What’s the most interesting thing about you that has never been revealed in an interview before?
Not sure; I feel like I’m pretty open in interviews. I’m left handed? haha
At this point in your career, is there any uncharted territory that you haven’t been able to get to yet?
I want to play in japan more than anything. I’d love to go to Indonesia as well; seems like shows there would be amazing.
Dubstep/Glitch/EDM powerhouse Blackburner are back with a reboot of their album "Drop Bass Not Bombs". Complete with Sixteen original tracks, “Drop Bass Not Bombs” features guest appearances from J. Worthy, Andy Clayton, The Anix, and is packed with cutting edge electronic noise that picks up where the last album left off and shoots straight into the stratosphere!
"Drop Bass Not Bombs" is NOW available on iTunes, and upon it’s release, is currently sitting in the top 70 on the iTunes Dance Chart. Compact Disc will be in stores on March 12, 2013.
You may know Nostalgia from his remix of Muse’s “Knights of Cydonia” which reached 3 million views on youtube (before the channel was shut down). Recently, animator Fluxel Media made a short film to this remix and it has seen over a million views on Vimeo (link: http://vimeo.com/44878206)
Or you may have heard Nostalgia’s “The Hero EP” which reached number 3 on the Beatport.com’s top 100 Dubstep chart. This EP was given a Zelda-themed music video which can be found here: http://motiongraff.com/?p=185
The SNES EP is sure to bring the same response as Nostalgia’s previous releases. It features “Hyrule Castle”, from Zelda: Link to the Past, which has been given the full main-room dubstep treatment with aggressive synths, heavy bass, and a full-story arc detailing a battle between Link and Gannon. Secondly,”Boss Fight”, from Final Fantasy IV, which is a Drum and Bass (or Drumstep) remix that starts innocent, then quickly escalates to a dancefloor smasher.
