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Cameron Argon, better known by his stage name Big Chocolate is an American musician, producer. He’s also the founder of the death metal solo project Disfiguring the Goddess and has gained renowned work in the music industry by his skill in music production and remixing. Past episodes can be found here. If you like the podcast, write a 5-star review for it and subscribe on iTunes. The sponsor for this episode is Audible.com, the premier provider of digital audiobooks. Audible has over 100,000 titles to choose from in every genre: thrillers, business, romance, comedy, sci-fi and more. Audible titles play on iPhone, Kindle, Android and more than 500 devices for listening anytime, anywhere. Get a FREE audiobook download at www.audibletrial.com/killthemusic

Impending Doom are becoming a big name amongst the Deathcore scene, providing some of the heaviest, grittiest and astonishing tracks put to record in recent years. When they released ‘There Will Be Violence’ back in 2010, many fans were scratching their heads, wondering if the band they loved had started down the path of being less heavy and heading towards mainstream Metalcore. So with this release, has the band managed to capture the gritty brutality that they originally captured in their earlier years?

The answer, by the way, is yes. As we get closer to the end of the year, it seems that each new Metal album is becoming heavier and heavier. This is the case here. The amount of times I have listened to an album and called it the heaviest album of the year is unbelievable and this is no exception. This IS the heaviest album of this year, thus far. And it is something I loved listening to as well, being one of the better albums released so far this year.

'Death Will Reign' starts its stupid amounts of brutality with opener 'Ravenous Disease'. Surprisingly, that is kind of how this track feels. It is fast, it is heavy, it is genuinely earth-shattering. The guitars chug, the bass pounds and the drums seem to open up the earth causing mass destruction. The vocals are some of the best in recent years, maintaining their constant feel of hatred and anger that just pours into the mic. The title track follows, unleashing hell with its jaw-dropping breakdowns that will make you just want to annihilate anything and everything within your sight. This is more terrifying than facing off a shark and probably delivers the same adrenaline rush too.

I don’t know how a band can get increasingly heavier with each track but this ends up being the case, spreading world-wide destruction, possibly bringing the world to a halt. But amongst the heaviness is the whole beauty of the album. It showcases Deathcore and Death Metal at its finest, being one of the most solid releases in a long time. The album progresses through tracks ‘Beyond The Grave’, ‘My Own Maker’, ‘Doomsday’, ‘Rip, Tear And Burn’, ‘Hellhole’, ‘My Blood’, ‘Endless’ and ‘Live Or Die’ before ending with the hellish and ferocious ‘The Great Divine’, a track of sheer brutal force that lasts over and epic length of eight minutes.

I can imagine that this is what the apocalypse would sound like with highlights ‘Doomsday’, ‘Hellhole’, ‘Death Will Reign’ and ‘Live Or Die’. These tracks were made to cause hell and carnage, not to mention lyrics that will likely offend a few people. The closing track fits perfectly with this whole album and I will be damned if someone could deliver something as terrifying, as beautiful and as heavy (all at the same time) by the end of this year because this is ranking very high, ticking all boxes and proving that Deathcore can become something extremely devastating.

The chuggy guitars, melodic interludes and intros, solid riffs, intense vocals filled with anger and unrelenting amounts of power, the fierece bass-lines that thunder away and the drums that could cause the planet to just simply stop functioning and the sun to implode in on itself, ‘Death Will Reign’ is a solid release, producing the best Deathcore album since last years ‘Hate’ by Thy Art Is Murder and thus the heaviest album of this year as of now. Yes, this is downright stupidly heavy. It is also darn amazing.

So then, having being beautifully mixed and everything working so well together, Impending Doom have crafted a beautifully deranged album of delightful brutality that is filled with nothing but sheer force and power. It grips you and doesn’t allow you to take a breath until it’s done. It leaves you speechless, taking your breath away with its heaviness that just explodes the moment you press play. This proves that Impending Doom are a band to not take so light-heartedly as they are a brutal force to be reckoned with. Honestly, I wouldn’t be surprised if Satan himself made this record. Terrifying, heavy, beautiful, ground-breaking, amazing. This gets my stamp of approval. Pick it up if you want something that grabs you and doesn’t let go.

10/10

- Asa

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AuthorJordan Mohler
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Conducting From the Grave return with their self-titled third/ LP It’s been three years since their last release and the band return better than before, giving predecessor albums a run for their money. The band is more ground-breaking heavier than before, producing an album that is unrelenting and heavier than a ten ton hammer.

Kick starting with ‘Honor Guide Me!’, you seem to already know where this album is going. No more than a minute into the album and you are either going to love it or hate it. Filled with heavy riffs, blast beats and some insane vocals, everything here fits perfectly. And you’d be mistaken if you think that they are going to loose their ferocious pace. With more velocity than a NASCAR race, the band shreds, blast-beats, screams, growls and beats their way through tracks such as ‘Lycan’, ‘The Harvest’, ‘Into the Rabbit Hole’, ‘Dante’ and the instrumental masterpiece ‘The Calm Before…’. Each song here is fast, aggressive and terrifying whilst still remaining a joy to listen to. Not to say that the album is repetitive, in fact, it is far from it. Each song on the album offers something new, taking the band that one step further, pushing their own limits and showing us all what they are capable of doing.

It’s sheer aggression but with added clean vocals. The cleans are a high-light on the album, constantly tricking you into thinking that the album is dying down and running out of its power before suddenly coming straight back into its aggression all over again, hitting you with more force than a wrecking ball. It’s ballsy and yet pays off, leaving an astonishing mark in your mind. The album closes with ‘Monster (Part III)’. This is the third part of the ‘Monster’ song series that the band started at the end of Revenants with the two tracks ‘What Monsters We
Have Become Pt.1’ and ‘What Monsters We Have Become Pt.2’. The track is exactly as its title suggests; it is indeed a monster. Being an impressive addition to a great series of songs, the third installment makes you feel satisfied with, not only the album, but the ‘Monster’ series too. It’s a great closure for a great album and it
may just be an album that earns them a little more recognition from labels.

The production on this album is also something that is a stand out. Seeming as quite a few self-released albums normally suffer from bad production, this is something the band should have some great pride in. Although it should be no surprise seeming as fans of the band all chipped in some money for this effort, raising a huge amount for the album to be made. Everything here works. The velocity of the drums, the chugging of the guitars, the heaviness of the bass and the ferocious amount of terrifying power behind the vocals. It’s an album tha feels complete, it feels like the band has actually took a lot of time with it instead of just rushing an album to release. And it feels like the right time to release it too. This is an album that is sure to not disappoint fans with everything feeling like it was placed in the right position.

So then, after nearly three whole years and a lot of support from fans, Conducting From the Grave have made a terrifying death-fest. This is how modern Death Metal should be and this could be the start of the band going in their own direction instead of conforming to a labels regulations. It is heavy yet well-crafted, terrifying yet beautiful and an undisputed piece of fantastic Death Metal. This could be an album that garners a lot more listeners but it will definitely please their fans.

For a self-released effort, this is truly amazing. It’s like being struck by lightning the moment you press play, it is that furious and that damned powerful. I’m not going to say it is the best album of the year, the astonishing one or the one that will leave the biggest impact in your mind but it is the heaviest and most certainly does not disappoint. If you know them, you’ll love it, if you don’t then you may just one to give it a listen.

9.5/10

-Asa

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AuthorJordan Mohler
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Strychnia's new EP “Reanimated Monstrosity” is easily the most impressive set of songs to come from a band of this stature. Not only is the quality extremely good but these songs hold up and greatly surpass any other band in this genre of music.

The hard hitting guitar solos, fast paced blast beats, and gut-wrenching screams that are showcased in these songs will surprise any listener that they are coming from a local-sized band. This collection of music represents a perfect execution of a thrash metal sound as well as technical skill.

One song that can speak for the band’s sound as a whole would be “War Sermon”. This song has a classic metal feel, but with a modern thrash spin put to it. It sums up the EP as a whole and really rolls the band’s sound into one song. Another song to make a note of is the title track and opener “Reanimated Monstrosity”. Not many openers can excite and immerse the listener as deeply as this one. It energizes and immediately addicts the listener to the powerhouse sound that this band brings to the table.

When it comes to criticisms…well that’s just it. I couldn’t find any. I always want to give a band a fair review from an objective standpoint and to be honest about the good parts and the bad parts no matter how much I like the band or enjoy the genre, but I just don’t have any complaints about this EP. I was very apprehensive when I saw the ending song to be a Pantera cover, but it fits in perfectly with the rest of the fluid synergy of this EP. Every song has a consistent style to it and an easy distinction.

Whether you are a thrash fan or not, this album is easily one of the best EP’s of the year and one of the best modern thrash sets out there. Coming out of a local band from NJ, this is more than impressive. From the well crafted songs to the pure mind-blowing skill that this band ties into the structure of their sound; they really bring a refreshing style to the table of modern metal. Hats off to these guys, and keep an eye out for them.

10/10

- Nic

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Strychnia have a new EP coming out on May 14th and vocalist Kevin O’Laughlin has the lowdown on each track!

Reanimated Monstrosity
Bringing the band back! That’s what this song represents, as well as the EP. The band is the ‘Monstrosity’ and we’re bringing it back to life, or ‘Reanimating’ it. So we’re metaphorically portraying ourselves as this sickening beast and we’re rising from the dead to come back and just unleash hell and violence. We’re gonna “crush through the opposition” and nothing will stop us. Now that we’ve given you the idea, you can pretty much just read through the entire song and relate everything to our reform. We added in some gore because we love it, so the parts that John of Dying Fetus sings over, he’s basically talking about dethroning the enemy and killing them. “Spinal cord submission” can portray paralysis and “carving out the throat” can represent silence. Again, the whole idea behind this song is just coming back and destroying everything. We want to be on top of the NJ scene and eventually the fucking world!

War Sermon
The lyrics in war sermon are like the tortured screams of the oppressed peoples scattered across remote corners of our world. The innocent people that suffer under violent military regimes, or religiously corrupted governments. “Indoctrination reactivate” as in feed them lies, think as we think, do as we allow. “Lunatic prophets derange the poems,” meaning a person of power twisting the supposed holy words of god into a new meaning used to control others.

Unfortunately many people are similar to sheep that will follow a master and would never bite the hand that feeds them. “Faithless freedom seekers aim to shift the trend through violent means an upheaval crumbles monuments.” Some however, will rise up violent and strong against their oppressors, which is what’s depicted in those lines. Those at the top will always want to keep those at the bottom where they are. When it comes down to it, it’s for their own power and greed. “For power and greed the war sermon shall bleed.” The war sermon is the message of hate they preach to the people and hypothetically bleed on to them. BLEED!

Killdozer
This song is about an army of cybernetic abominations pulverizing a town and essentially taking over the world. Each abomination could be considered a “Killdozer” and we got really in depth describing their features and some of their actions. “Biomechanical mutations, synthesizing blood for fuel. Iron plates, seeping, human plasma…” We really wanted to create a vivid image in the readers head. These monsters are ripping apart the town and harvesting human remains and converting it into resources.

This was a really fun song to write, and we got the idea from an actual story about a guy who armor-plated a bulldozer and started cruising through his hometown and destroying buildings/houses of people who screwed him over. Obviously that’s not that interesting when you break it down but the concept of turning that into a fictional story and making it brutal for metal… that’s fucking cool!

Cephalectomy
Vengeance is sweet. This song describes a new method of execution or death penalty. Imagine a system, where criminals are killed by families of murder victims. So these criminals have ruined these people’s lives, and now they have a chance for redemption. Now obviously we had to spice this up a bit and make it fit our gore-themed style of writing. So we threw a little twist on it and described these families as if they’re savage beasts and they have NOTHING on their mind but the killing of these criminals. “Solitary confinement of their minds, Infesting urge to kill.”

We then took it further and described the actual killing of these criminals with some lines like “Feeding frenzy, dismemberment, blood for the masses!”. After they kill them of course they have to “disgrace the corpse” and do even more fucked up shit. Although this song is fictional, there are probably people out there who would love this concept! When things come up like the recent Boston bombings, shit like this comes to mind. If only they could throw those piece of shit terrorists into a “pit of hell”!

Slaughtered
The fifth track on our EP is a Pantera cover so obviously I can’t do any explaining here.

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Today’s feature of “5 Albums That Influenced Me" comes Strychnia vocalist Kevin O’Laughlin. The band are in the studio working on a new EP which should be out in May.

1. The Cleansing - Suicide Silence

This album is easily my biggest influence when it comes to music in general. Mitch is also my biggest influence when it comes to vocals. I didn’t start getting into extreme metal until I was 16 or 17 years old and when I heard this album my mind was just blown, I loved it. It totally motivated me to want to learn how to do those demonic screams. I still don’t think any deathcore band has topped this album. Although, I really don’t listen to a lot of deathcore these days. The genre has gotten a lot worse in my opinion. I’m more into Death Metal, Thrash Metal, and Black Metal these days. And a lot of non-metal lol.

2. Scars of The Crucifix - Deicide

This album was huge for me when I first joined Strychnia. Not only was I being introduced to some new extreme metal… The vocals on this album really heavily influenced some of the overlaps that I do for Strychnia. This album had a lot of low screams with high screams overlapped, and at the time I didn’t really think anyone was doing that in Death Metal. I was new to metal and I had thought overlapping was more of a deathcore thing.

3. Ashes of The Wake - Lamb of God

This album was another big influence on my vocal style for Strychnia. When I first joined the band, I was really more of a deathcore-influenced Vocalist. I needed to change it up a bit and I needed to add more variety to the tones that I could scream. I didn’t do this consciously, but I definitely used Randy’s mid-screams as a big influence for my own “mid-scream”. I think another thing that led to this was the fact that we used to cover the song “Now You’ve Got Something To Die For” when we first started playing shows together.

4. Negation - Decapitated

Mmmm… good ol’ Decapitated. Haha. BIG influence on my low screams. I love that “e” sound combined with the foreign accent. I love doing Decapiated-style low screams on Strychnia stuff. Obviously I’ve made it into my own style, but these guys and this album are another huge influence.

5. Tomb of The Mutilated - Cannibal Corpse

This album was a huge influence for me when I was experimenting with a lot of deep guttural screams. Through my learning process as a Vocalist I always wanted to have a variety of styles. I never wanted to be that mono-tone guy. Even though that can sound great for some people, it’s just not for me. I just remember practicing “Hammer Smashed Face” and “I Cum Blood” for hours trying to get those crazy gutturals down.

On the fourth episode of the podcast, we chat with Kevin from Strychnia. We discuss their reformation as a band, musical influences, songs they’re working on, and more! (They’re currently looking for a drummer and bassist!) Download/listen here

Follow/like them

https://www.facebook.com/Strychnia
http://www.reverbnation.com/strychnia
http://www.soundcloud.com/strychnia
http://www.myspace.com/strychnia
http://www.purevolume.com/strychnia
https://www.facebook.com/kevin.olaughlin
https://twitter.com/K_oLauGHLiN
https://twitter.com/STRYCHNIA
http://www.youtube.com/user/xslaytheweakx

Strychnia just finished recording their debut album, “The Anatomy of Execution”. The band choose to work with Bobby Torres of Frightbox Recordings. The album will consist of nine songs. The album will be released worldwide in June 14, 2011 and available for purchase online at iTunes, Napster, and Amazon MP.




State your names and positions in the band.

Kevin - Vocals, Rory - Guitar, Trevor - Guitar, Mike - Bass, Ryan - Drums

How did the band come together? Who contacted who and what made you wanna start the band?

The band formed back in the summer of 2009… Half of the band was pretty much already playing in a band and later came together to form Strychnia. Rory (Guitar) and Ryan (Drums) had been playing together for years, they were in multiple bands together and when the band first came together they were the founding members. Ryan attended high school with Kevin (Vocals) and had seen him perform with his band at the school’s Battle of the Bands. Ryan later invited Kevin to jam/tryout for Strychnia. Upon jamming together in Spring 2009 the trio rehearsed “Postmortem” by Slayer,  which is funny because the band still covers the same song every show over the course of 2 years. Ryan and Rory were both interested in Kevin’s vocals and asked if he would like to keep playing together and working on some original songs. Kevin was interested but still too focused on his current band that he was in. When Kevin’s band fell apart, he began jamming with Ryan and Rory very often. Kevin told them his guitarist from his last band is now searching for another band… turns out Ryan and Rory both used to play in a band with the same guitarist. Kenny (Guitarist) joined Strychnia and the band began searching for a bassist. In August 2009, Strychnia, a 4-piece Death/Thrash band had formed.


The band played their first show August 30th, 2009 at a local bowling alley… the band played a set of 4 original songs, and their infamous Slayer cover, “Postmortem”. Hell broke loose in the pit and Strychnia ended up being kicked out of the venue, plugs pulled mid-thrash.  One of Ryan’s friends in the pit happened to play Bass and after being impressed by the band’s performance and removed from the venue, he told Ryan he would like to come and tryout for the band. After trying out for the first time, Mike (Bass) joined Strychnia. The band began writing music, rehearsing every week… the band began to draw a lot of attention and landed a few local gigs. Shortly after the band’s first show, Kenny was kicked out of the band for personal reasons. The band began searching for a second guitarist again, while playing shows as a 4-piece. In November 2009, Kevin happened to hear one of his classmates at community college talking about last night’s Lamb of God show. He began conversing with him and asked him what kind of music he’s into and Trevor responded with bands that were fit for Strychnia’s style. Kevin asked him if he played any instruments and Trevor explained that he has played Guitar in bands for years. Kevin invited Trevor to Strychnia’s next scheduled rehearsal, and after trying out the band was impressed and asked him to join. This line-up still stands the same today! (June 2011)

How has your music evolved since you first began playing music together?

Hmm, where to begin.. We all came from different backgrounds of musical influence. We all dig the same bands and stuff, but our main influences were a bit broad. For example, Kevin’s vocals were heavily influenced by Deathcore bands such as Suicide Silence and Whitechapel. When we first started playing we had a real thrashy sound. We still love to thrash but as the first few months went by, we ditched a few of the old songs we had and started to write more heavy death metal stuff. We’ve always considered our sound very unique, and find “Death/Thrash” to be the closest genre to describe our sound. We’ve also all grown as musicians and we are a hell of a lot better than we were two years ago. So our skill with our instruments improved, and our sound gradually got better. 

The question on everyone’s mind: what took so long to get this record out?

Hah… oh man. Well, the album ended up costing us $2500… that’s a lot of money for five band members all about 18 years old at the time besides one guitarist being 21 at the time. Therefore, money was the obvious issue. We planned on paying our producer half up front, and the other half midway through the recording process. After about 2 weeks of recording, our producer wanted the second half of the money. One of our band members couldn’t come up with his cut and we began pushing back the recording process to finish the album. Next week turned in to two, and into three, and before you know it, a month has gone by. Then when he finally got the money, a different band member got injured and lost his job and could not pay his cut and we still couldn’t finish up the album. So we finally came to a conclusion and two band members spotted the cash for the band member who couldn’t pay his cut and we went in for a week and banged out the rest of the album. So it really was all financial problems, we are really young and none of us have great jobs where we can just throw a couple hundred bucks out the window and consider it nothing. 

What were some of your inspirations while writing the record?

Shows. We would all hop in Kevin’s van and buy a bunch of booze and go out to see some of our favorite bands play and we would just have a great time. We would jump in the pits and be like damn, we need to get big and play shows like this! We were all so motivated to write some heavy fucking metal and play it anywhere and everywhere. It also helped that we were all really good friends, we loved to just get together and go to house parties or drink/smoke with some friends in a member’s basement. Like, we would hang out so much that we would just always be jamming and enjoying our music. 

What song changed the most during the recording process of Anatomy of Execution?

"Apocalyptic Visions", no doubt about it. This was one of the first songs we ever wrote/played. Ryan and Rory wrote the entirety of this song and were playing it before anyone else joined the band. We ended up changing the thrash riff completely in two parts of the song. Many people agreed with us that the original riff sounded way too similar to Austrian Death Machine’s "Get To The Choppa" thrash riff. So Rory just spent free time in the studio writing some new riffs and we found one that we all like and we put it in there.

Most anticipated albums for 2011?

Arch Enemy’s new album, and looking forward to hear from Behemoth again 

Any records labels you’re wanting to notice you or give a shout-out to?

Earache, Nuclear Blast, Metal Blade, Century Media … love so many bands on those labels

What were some of your music influences and how involved in music were you growing up? 

Some of us were more involved in music, and others just enjoyed listening to music from Day 1. Rory and Ryan started playing their instruments and playing in bands at a really young age and others like Kevin just flat out enjoyed listening to music while traveling a lot from a young age. 

Would you play Summer Slaughter or Mayhem Fest if you were offered an opening slot?

Absolutely, even though they are really starting to butcher some of the line-ups… we have seen crowds of all types love our music. We have played in front of punk crowds, thrash crowds, death metal crowds, even those little fucking emo kids like our shit. An opportunity to get on any tour that big with bands that popular, would be an honor. 

What records have you been really enjoying lately?

There’s a couple bands that just released some killer albums… Deicide’s “To Hell With God” is a favorite, but other bands like Abysmal Dawn, Destruction, Sodom, Dimmu Borgir, and Onslaught all released some sick albums recently.

Who do you want to tour with, but haven’t yet?

FUCKING SLAYER! we all love Slayer, their #1. But there are so many bands we would kill to tour with… Cannibal Corpse, Decapitated, Vader, Exodus, Kreator, Overkill, Dimmu Borgir, Behemoth… there’s just so many.

If you had a chance to shoot a music video without any limits, what kind of video would you make and for what song? And do you have any music videos planned at all?

"Vile Creation", the song is just lyrically insane. It’s pretty much about doctors experimenting on a human being and the test subject basically mutates and gets really fucking pissed off and starts fucking shit up. 

Do you have any parting thoughts for Kill The Music?

We want to thank everyone who’s helped us along the way, friends family etc. Again, we are pretty damn young and we have worked our asses off to get where we are today in this terrible music scene in our area. As for our fans, we can’t thank you enough… Without the fans, nothing would be possible. We’re just hoping the album gets a good response and we can land a nice record deal in the near future!

https://www.facebook.com/Strychnia

Source: killthemusic.net
Posted
AuthorJordan Mohler
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