Bleeding Through put out a new record in January and proved they still have what it takes to create a great metal album. I emailed vocalist Brandan and discussed his gym, Rise Above Fitness, his long career in the band, and his side project, I Am War.

State your name and role in the band please.

Brandan Schieppati. I sing…. well kinda

Tell us how Rise Above Fitness got started

I’ve always taking fitness very serious. As I started to age I started not being in the dame shape that I was in before ever with working out. Basically I was just going through the motions cause I wasn’t educated on how to break through plateaus. So I starting seeing a trainer and eventually became his intern and I realized that I had a place in the fitness world and that was to educate and train people seeking all fitness goals. So I became a trainer in 2009 and quickly built up my clientele and now I opened my own gym and things couldn’t be better!

How is your style of training different from a conventional gym or aerobics class?

I use the basis of Metabolic Circuit training. It’s basically a high intensity workout incorporating functional movements. Olympic lifts as well as Strength and Conditioning all wrapped into one. In the end, you have an hour long work out that gets everything you need without wasting away at the gym. If you are in the gym longer than an hour and a half, you are just there to make friends.

Have you ever thought about making fitness DVDs in your free time?

 One is indeed in the works. I start production this week.

 Is it hard to find time to work out on the road in between shows?

Hell no. Just takes the will power to execute. In my DVD, I will show people that you don’t even need weights or a big space to spike your metabolism and get a workout in.

 What do you feel has contributed to your long career as a band? Bands like Thrice and Thursday have recently broken up, bands that had been at it for a while.

I feel we transitioned at the right time from a full time touring band to what we are now which is a very active band but have other things in our life that are the focus. Like my gym. Bleeding Through is fun. Started as fun and will end as fun!

You’ve been in this band for 13 years — there have definitely been some hard times along the way; have you ever considered quitting the band, and if so, what things encouraged you to stick with it?

I have thought about it when it became a business. We made a good living of the business of music for a while and still do ok but we just had to switch that focus to what was important and that was to play and write this music cause we love it and not worry about the industry or what people say and think. We are a family and BT breaking up would be like a family breaking up and we don’t have a reason to. Plus people still for some reason care about this band a lot. I think it is because we are consistent and not trendy!

When appealing to different sets of fan bases, new and old, young and old, what is the thought process when trying to write something that has an appeal to both, but also embodies what Bleeding Through is?

We just write that way we feel. I know that is may be bad to say that we don’t care about opinion and we do care to an extent but we really just write to the emotional level that us as individuals are feeling and that translates onto the record.

There’s a instrumental track on Declaration that’s been my favorite for a while; Finis Fatalis Spei. Could you give us the background on the making of this track? I know you sampled a quote from 300 on it.

That is all Marta on that one!

How has it been with the label for you guys? A lot of bands have been saying very positive things about the label, but some bands have also spoken negatively of it. Craig himself is very outspoken. How has it been working with Rise for you guys?

I love Rise. Craig is a good guy and a fan of music; straight forward and honest. They let us be ourselves which is good for a 13 year band that isn’t going to change for anyone. hahaha

Do you have complete creative control since you’ve been around longer than most bands on the label?

See above. Ha yeah they let us do as we wish!

Can you give us an update on I Am War? (side project with Alex from Atreyu)

Music is done. Finishing up vocals and mixing soon. I fucking love the sound so far and I think it is going to take people by surprise.

Last question: what are one book and one band you’d recommend to anyone that listens to Bleeding Through?

Book= Never Die Easy. It’s about Walter Payton, my childhood idol. Band= Entombed! Enough said!

The UK’s 2000 Trees Festival has added 14 more bands including Sharks, We Were Promised Jetpacks and Gallows. A full list of bands added and more details on the festival can be found below.

We Were Promised Jetpacks
Gallows
Sharks
Dog Is Dead
Spycatcher
The Computers
Max Raptor
Gallops
Zico Chain
Bastions
Hymns
Rosa Valle
Harbour
Andy Oliveri

2000 Trees Festival will run from the 12th-14th July at Upcote Farm in Gloucestershire, UK.

Tickets are priced at £66 for the weekend.

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AuthorJordan Mohler
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Attack Attack has announced they are no longer with Rise Records.  Check out the band’s statement below!

We never really plan anything out a whole lot. Although, we did make one exception to that rule. As soon as we finished This Means War, we flew out to LA and sat down with the producer John Feldmann and wrote like 22 more songs, 10 of which we tracked. So we already have another record sort of in the tubes right now; and we’re going to sort of tinker with it throughout the year. I think the only thing that is totally certain is that you can expect us to absolutely follow this release up with something very, very explosive. I think you are going to see a lot from us in the future.

The cool thing about it was writing in that timeframe, already having a record finished and preparing to be released and waiting to go in the stores. We just sort of wrote whatever the hell we wanted, no consequences, reached as far as we wanted because at the end of the day, were not obligated to release any of that stuff by a certain time. You know obviously we need to follow up this record with that record release eventually, but for this one, it’s like: if we write all this stuff, sit on it, and then in June, circle back and listen to it again and start writing some more on it. And if we hate everything, we just throw it away. We’ve got the time to do that. More importantly, This Means War was our last record with Rise Records. We don’t have another record label or anything lined up and probably not planning on going to another one. So it’s like we’ve got this sitting around that we can do whatever the hell we want with whenever we want.

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San Diego’s SECRETS have just released their official music video for “Somewhere in Hiding” off the band’s Velocity/Rise Records debut LP The Ascent, which rocketed to #3 on Billboard’s Heatseekers chart and landed at #185 on the Billboard Top 200 in its first week of release.

Praised by many as one of the post hardcore scene’s Next Big Things, fans can catch SECRETS on tour with Sleeping with Sirens in March and on the This World Is Ours Tour with Attack Attack! and Escape the Fate in April. Check out SECRETS’ “Somewhere in Hiding” video here:

http://www.youtube.com/watch?v=BRlUYEmHzlg

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Chances are, if you’re into heavy music, then Joey’s probably produced the record you’re listening to. He’s currently recording Emmure’s follow up to their 2011 release, Speaker of The Dead. Joey was cool enough to answer some questions in the midst of recording.

State your name and profession

I am Joey Sturgis, and I am a producer, engineer.

Do you remember the moment in your life when you knew that a career in music was what you wanted to do?

There actually wasn’t a moment like this for me. Everything just sort of fell into place. I was working towards a strong career in computer science, starting in high school with an extra curricular activity in A++ computer education. That landed me job placement in 11 and 12th grade with a local computer store. I was working there as the boss’s right hand man fixing computers and handling networks for the tri-county. I worked there for a few years until I came to the conclusion that I was doing $70.00/hr service calls and only getting paid $6.00/hr. It was time to stop going in to work. Around this time, I was at the studio more often doing stuff with music and my band. Eventually the boss called and said he’d call me if he needed me (aka, you’re fired) and the rest was history. My band put out its demo on myspace and other bands heard about it and wanted to work with me after finding out I was the one who made the demo.

Looking at your discography, I think maybe it would be better to call you the “King of Metal/Post-Hardcore Producers.” What are the essential elements you need to make a Metal/Post-Hardcore record?

I do want to address this question very carefully, because I feel like with my name being out there in the scene, people just have no clue who I am and where I come from with my musical background. I listen to everything. I really mean that. I love country, techno, 80’s, 90’s, rock, piano ballads, dub-step, folk, bluegrass, blues, metal, death metal, hardcore, metal-core, post-hardcore, Shania Twain, Nickelback, Rascal Flatts, Gloriana! I can go on and on and on. At the end of the day, you’re not going to find me listening to breakdowns very often! The artists I work with know what it takes to make their music, and they are in touch with their fan base and understand what their fans want. I could go my whole career without having to understand this. All it takes is for me to understand where the artist is coming from and where he wants to go, then I connect the dots. It’s really that easy. On a side note, please stop putting people in categories because of what they like or believe. You are the reason everything is so messed up in our country. 

How did you learn how to work the software and ultimately do what you do?

Open the same program every single day, and eventually you’ll learn how to use it. Trial and error, reading the fucking manual, and searching on Google taught me everything I needed to know about how to use digital audio workstations / software.

What do you say to critics who think that every band you produce sound the same?

I’ll start out with an obvious defense. Please listen to Let’s Get It, the Digital Spaces EP, then head on over to Oceano’s debut LP on earache. Please tell me how those sound alike. Next, I’ll reveal to you that VANS makes shoes, and most of them go on your feet… Best Buy sells mostly electronics… and Joey Sturgis records Joey Sturgis records. If you are mad about a band working with me, go to their show and complain to them. Bands practically kill people and make huge investments to work with me. Believe me when I say they’re doing it on purpose and going after something they want.

How did you get that bass tone on Of Mice and Men’s “The Flood” album?

Run your bass through a simulated Guitar amp… and no that won’t work live.

How do you get your guitars/screams to sound so big?

People think this is a big mystery. It’s not. You need good takes. When I say good takes, I mean takes that are precisely on time (down to less than 1 - 10 ms shy of grid), and good playing. Palm being in the right place, pick hitting string in the right place, right strings for the right tuning, right guitar to hold the tuning… the right pick ups. All of these factors matter. Finally, you need a good listening environment. You need to be hearing things properly or you won’t be making proper decisions. Armed with all of those things in line, you will be able to choose the right tone, the right takes, and ultimately get the right sound.

What kind of artists do you prefer to work with?

Experimental; I recorded this band called Rosaline once… no one really knew about it because they fell apart shortly afterwards. I love to work on weird stuff like that. I would also really love to record country music. You can fill a room with country musicians and just stand there with zero microphones and listen… it will sound like a record. Amazing!

Can you describe how it feels to be associated with the number of hits that you’ve worked on?

Honestly, it’s kind of a out-of-mind type of thing. It’s something you’ve accomplished and something you can remember, but you’re always looking forward and always moving on. I am very grateful to be where I am right now, but its not something I am looking at from a nostalgic point of view. From my perspective, I’ve been helping groups of 4 - 6 dudes stay on the road, which is essentially where most of them want to be. So that’s a great gift to be giving in any sort of way.

How has social networking benefited your business?

My business, these bands, this scene would not exist AT ALL without social networking. I had a buzz about me generating in forums before there was the giant explosion of myspace. So even in the early days, it was all about the web.

Are drums always the first thing recorded or do some bands work backwards?

In my studio, drums are first and foremost… and very key. I do not do ANYTHING else until the drums are completely finished, including mixing.

What are your thoughts on the continual volume increases in the industry, where music has just gotten louder, or more crushed, at the expense of dynamic range?

For all the people who don’t understand the loudness war, go grab a Rush cd or an old Metallica cd and put it in your car. Now turn up the volume to where you normally listen to cd’s. Now turn it up a little louder. Listen to how much more punchy it is than a modern cd. Why? Dynamic range. By destroying dynamic range, you achieve every softer sound being as loud as the louder tones, effectively giving you a louder cd. but what you lose is the snare or kick always being x amount of volume over the guitar…

Honestly, I don’t really care where this goes or what happens because of this. But people should definitely know what its all about. Ultimately, the fans and the artists and the record labels will all meet somewhere in the middle at some point. It’s not really up for me to decide I guess.

Last question: Is there anything left for you that you haven’t accomplished that you want to accomplish?

When I was in high school, I was really into programming and game development. It is one of my goals to actually complete my ambitious idea for a game and not be poor afterwards. I am already working on it so if you know any pixel artists, please send them my way… I will pay for pixel art!

BLEEDING THROUGH is back with their 6th full length entitled “THE GREAT FIRE” which hits stores January 31st.  Already at legacy status years ago, BT continues where they’ve always been: fast and heavy.  Their no bullsh*t approach has always been appreciated by fans and critics. Never succumbing to trends or gimmicks, Bleeding Through will always be true to the underground metal scene.  Listen to “Faith in Fire” here:  http://www.youtube.com/watch?v=5LoxCwXMqqE .

  Track list:

 1. The March

2. Faith In Fire

3. Goodbye To Death

4. Final Hours

5. Starving Vultures

6. Everything You love Is Gone

7. Walking Dead

8. The Devil And Self Doubt

9. Step Back In Line

10. Trail of Seclusion

11. Deaf Ears

12. One By One

13. Entrenched

14. Back To Life

 http://www.facebook.com/BleedingThrough

http://www.facebook.com/RiseRecords

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AuthorJordan Mohler
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Queens, NY’s DAYTRADER have signed with Rise Records.

 Naming influences such as Jimmy Eat World, Sunny Day Real Estate, Further Seems Forever, Saves the Day and Hot Water Music,  the band will enter the studio with producer Mike Sapone (Brand New, Taking Back Sunday) this winter to begin work on their label debut, due out spring 2012.

 DAYTRADER recently underwent a lineup change with the addition of Scotty Giffin (formerly of Crime In Stereo) on drums.  Matt Mascarenas of Salt Lake City, UT hardcore band Reviver has also joined on bass.

 Upcoming dates:

10/19: Brooklyn, NY @ Acheron :  Property of Zack/Kind of Like Records CMJ showcase

http://www.facebook.com/event.php?eid=240882895964135

10/20: Amityville, NY @ Broadway w/ The Menzingers

http://www.facebook.com/event.php?eid=148315481922832

11/3: Lowell, MA @ University of Massachusetts

www.facebook.com/daytraderny?ref=ts

 @DaytraderNY

 www.riserecords.com

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Man Overboard is no stranger to the leaked album, after all Real Talk leaked a month early and Human Highlight Reel a couple of weeks. For those albums, the band released the digital version to those who pre-ordered and put the album up for sale both within minutes. In the case of their new self-titled album it was hardly any different, so yesterday when the album started leaking (two days before the street date, hours before the digital version would be available) the band and Rise Records were quick to get the full album stream online. Man Overboard’s, Man Overboard can now be streamed in its entirety at www.DefendPopPunk.com 

 The album will hit shelves come Tuesday, September 27th at Hot Topics nationwide, all digital retailers as well as the Indie Retailers in the list below. Select Best Buy and FYE locations will also carry the album. 

 The band can be found this fall on the Pop Punk’s Not Dead Tour with New Found Glory and in the winter on a UK tour with support from The Story So Far and Save Your Breath.

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AuthorJordan Mohler
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