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Kill The Music

Kill The Music
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Review: Icon For Hire - You Can't Kill Us

Icon For Hire is an alt-rock duo based in Nashville, TN. Equipped with a bad-ass female vocalist, and electronic and hip hop elements infused into alternative rock 'n roll; Icon For Hire has some serious spunk and on November 25th they independently released You Can't Kill Us. This album is incredibly vibrant and luminous, every song seems to be empowering and uplifting which is refreshing content. It really just oozes badassery. I'm not typically much a fan of electronic music, but the instrumentals, rock elements, and vocals really make it relatable to almost every one. It's something I would jam when I'm out with my girlfriends and want to feel like a fierce ass queen. 

"Supposed To Be" is a stand-out song for me. The song starts softly, with just her vocals muffled slightly and then it slams you with some electronic and heavy instrumentals. The song tackles the challenges of "getting better" and finding yourself past your mental illness. On top of the excellent content, the song shows dynamic highs and lows that keep you involved. Title track "You Can't Kill Us" was the single released by Idobi radio and is another song that packs a punch..literally, the chorus is punch-y and it makes for one hell of a catchy tune. "War" takes the album down a little, relying mostly on the vocals and guitar, taking a step back with the electronic vibes. It shows a much more tender and gentle side to vocalist, Ariel Bloomer, creating a great dynamic for the album. 

While not my preferred genre of music, Icon For Hire offers a sound that can be appealing to the masses. The album is fueled by sheer woman power and upbeat, feel-good songs. Overall, the album is catchy, funky, and definitely a force to be reckoned with! Give it a listen, you're going to feel empowered by the end of it.

Newer:Join The Revolution with December's Loot Crate!Older:Jacob Shaw's Top Albums of 2016
PostedNovember 27, 2016
AuthorSam Reed
Tagsicon for hire, you cant kill us, new release, Album Review

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