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Stray From the Path are known for their Hardcore Punk sound, but their seventh studio album is their most mature and hard-hitting release yet, only paving way for further excellent future releases.

Anonymous kick-starts its aggressive assault on the senses with the ball-gripping ‘False Flag’. Taking you from the get-go, it attacks you with furious power and grips you, never letting you go. Furious Punk Metal inspired guitar riffs and face-smashing drumming is only filled together by the consistent, ever-present bass-lines that fill the track. Drew York provides you with some of the greatest Hardcore Punk vocals known to mankind. It’s one heck of an opener and the album only ever seems to get better. Moving into the second single from off the album, ‘Badge & A Bullet’ grips you with some intense stuff that just seems to pour out of the guitars and bass whilst the drums apparently just seem to get pounded. Not the fastest song on the album but filled with some great riffs and truly severe amounts of ass-kicking drumming, it is a brilliant track filled with Drew’s hard-hitting and aggressive vocal style. It also contains some great hooks that make the song
strangely catchy.

The album aggressively drives forward its fast and brutal onslaught with tracks ‘Radio’, ‘Black Friday’, ‘Tell Them I’m Not Home’ and the title track ‘Anonymous’. It feels like you’re taking a hammer to the face but yet you can’t help enjoy it as Williams provides a shed load of truly great Punk Metal riffs, filled by the ever-present bass-lines that Anthony just seems to pour. Not to forget Dan Bourke’s fast, furious beating of his drum kit as he spreads endless amounts of destruction throughout the album, making it seem so easy. And as for the vocals by Drew… they’re simply wow. Aggressive in his approach, Drew grips you from your private parts and pounds your face in with the astonishing force that his vocals provide. You can’t help but smile as he screams and shouts catchy hook after catchy hook, controversial line after controversial line directly into your face. Everything in this album is great and not one track can be considered for even being slightly weak. All of them powerful and dealing with strong lyrical subjects such as politics, freedom and friendship (may not seems strong but Drew makes sure that it is), you can’t argue with the power of the album.

Not to forget the great ending to the albums other single, ‘Landmines’, which leads into the final track (the album’s title track) of the album. Along with the great amount of power, aggression and force that the album portrays, it is apparent that a lot of thought has gone into the production of the album. Production is often over-looked when people listen to music but yet it is more important than the songs themselves. Seeming as production is about how the track/album is mixed and the audio quality of the tracks, it is highly important. Luckily, Anonymous doesn’t suffer from the bad production and is helped along with the great mix and quality of its tracks. With the production keeping the aggression in place and making everything so free-flowing and
consistent, it is time to mention the two guest vocal contributions on the album.

As mentioned before, there are two appearances on the album and they come from Jesse Barnett (Stick To Your Guns) and Jason Aalon Butler (letlive). Jesse is featured on the third track on the album, ‘Radio’ and Butler makes his appearance on the albums fourth track entitled ‘Scissor Hands’. The contributions on the album are easy to spot and help add a bloody good punch to the tracks. The appearances are something which people can enjoy and adds a little more to the album as a whole. It is safe to say then, that this album is downright bloody great.

Stray From the Path have crafted a Hardcore Punk Metal masterpiece here with Anonymous. Fast, aggressive, consistent, intense and gripping, it is an album that grabs you from the start and only intensifies as it progresses, letting go of its grip at the end but making sure that it still remains within your head. Featuring ground breaking drumming, intense and consistently aggressive guitars, supportive, ever-present bass-lines and ferocious, intense and head-crushing amounts of vocal power, Anonymous is an album rammed to the brim with awesomeness. This is like a modern day Rage Against the Machine album only more aggressive.

This is an album that feels like it is what Violent Delight could have done if they progressed with their career. Yet this is somehow more than just that too. This is more than just your usual modern day album. It is a downright statement on what our world has become that will grip you with every bass drum beat (which there is a lot of!) for months on end. It will make you think, it will make you want to rebel, it will even make you want to just destroy stuff and break everything within your sight. But yet in a good way. This is pure, relentless aggression and is the bans finest effort to date. This is an album that is as powerful as it is enjoyable.

This isn’t considered being just the one of the best albums so far this year because it IS the best album so far this year. It beats Black Sabbath, Asking Alexandria, Megadeth, DevilDriver and
Avenged Sevenfold by a pretty longshot. If you want something aggressive, something that has meaning and something that is downright bloody amazing to listen to, then pick this up. I must admit, it isn’t something everyone is going to enjoy but it is like that with every album. So be sure to check out one of the singles first (either ‘Landmines’ or ‘Badge & A Bullet’) but if you like what you hear then you must pick this up. If you like Punk, listen to this. If you like Hardcore, listen to  this. Screw it, if you just like Metal than give this a listen because it is guaranteed that you’ll like something about this. Astonishing, powerful and beautiful, all at once. The best album so far this year. Give it a try.

10/10

- Asa

The second leg of dates for Trivium, DevilDriver, After The Burial & Thy Will Be Done have just been announced! Check them out below

11/05 Seattle, WA – Showbox at the Market
11/06 Portland, OR – Roseland Theater
11/07 Reno, NV – Knitting Factory
11/08 Salt Lake City, UT – In the Venue
11/09 Grand Junction, CO – Mesa Theater & Club
11/11 Lawrence, KS – Granada
11/12 Des Moines, IA – Wooly’s
11/13 Lincoln, NE – Bourbon Theater
11/15 Lexington, KY – Expo Five
11/16 Sauget, IL – Pop’s Nightclub
11/18 Houston, TX – Warehouse Live
11/19 New Orleans, LA – House of Blues
11/21 Pensacola, FL – Vinyl Music Hall
11/22 Jacksonville, FL – Freebird Live
11/23 Ft. Lauderdale, FL – Culture Room
11/24 Orlando, FL – House of Blues
11/26 Nashville, TN – Exit/In
11/27 Asheville, NC – The Orange Peel
11/29 Clifton Park, NY – Upstate Concert Hall
12/01 Norfolk, VA – The NorVa
12/04 Buffalo, NY – The Town Ballroom
12/05 Grand Rapids, MI – The Intersection
12/06 Ft. Wayne, IN – Piere’s
12/07 Milwaukee, WI – The Rave
12/08 Chicago, IL – House of Blues
12/10 Dallas, TX – House of Blues – Cambridge Room
12/11 San Antonio, TX – White Rabbit
12/13 Phoenix, AZ – Marquee Theater
12/14 San Diego, CA – Soma

Posted
AuthorJordan Mohler
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Having released a strong catalogue (2003’s self-titled, 2005’s ‘The Fury of Our Makers Hand’, 2007’s ‘The Last Kind Words’, 2009’s 'Pray for Villains' and 2011's 'Beast’), DevilDriver return with the fantastic ‘Winter Kills’. This is, again, a different path that the band have taken although that is something to expect from this band by now. Never truly sticking to the same path is something they believe in and it works. Always offering something a little different from past albums always makes them seem like they’re releasing a new breath of fresh air. But yet, even though each release is different, there is always the DevilDriver core at heart. The band are known for having fast drumming, some excellent guitar work, catchy hooks and intense vocals with a bassline that pounds away to act as the main filling to an already tasty sandwich. To say that there are stand out tracks would be hard because each track is something that is a little different but beautifully pleasant to hear. And that is what makes the band so different from most others.

The album begins with an excellent and tasty number entitled ‘Oath of the Abyss’. A song that sets the mood and tone of the album, it pounds on just over 5 minutes and 30 seconds. It has an interesting that is a little eerie but kicks into a great, doomy feeling riff that is heavy as hell. Dez kicks in with his brilliant vocals and it becomes even more intense than previous. It has a rather catchy hook and intense riffing with thunderous drums and a ever-present bassline. The song finishes with a soft-ish outro and makes the song feel complete. It definitely serves as a fantastic opener for an album that you already know will be great to listen to. The album moves into their single from the album, ‘Ruthless’ and that is exactly what the song is. Another catchy, intense, heavy riff with some beautiful drumming and perfectly fitting bass.

This song continues to boast some fantastic vocals from Fefara and moves on at a fantastic and consistent pace with a very catchy hook. Throwing out no excess, the song explodes throughout and boasts just how consistent the band is. The song moves into the next, the fast and perfectly crafted ‘Desperate Times’. As expected, great riffing with the perfect bassline. On this track, it is the chorus and drumming that sticks out however. The drums are powerful and constant as the snare is pounded and the double-bass drum pedals are used to furious and devastating effect. As for the chorus, the guitar works with the vocal lines and it is bound to get you at least humming along to it. The song pounds away, carving a path for the next.

The next song is the title-track. It immediately begins with a great riff and then kicks in some perfect guitar over the top. As the vocals fade in, there comes another great riff. Then the verse kicks in, filled with stop-start guitar that kicks into again, another great riff. Followed by an excellent pre-chorus, it swiftly moves into another epic, catchy chorus. Everything in the song feels correct and right as Dez and co. carry on doing what they seem to do best. There is the perfect bridge followed by a perfect, sinister feeling riff. Going back into the pre-chorus and chorus, this is definitely a truly fantastic track. The album then moves into thunderous, ever-present and consistent tracks ‘The Appetite’, ‘Gutted’, ‘Curses and Epitaphs’, ‘Carings Overkill’, ‘Haunting Refrain’ and ‘Tripping Over Tombstones’. Expect to hear great intros, interludes, some fantastic riffs and sometimes melodic guitars with the ever-present thunderous, pounding drums and double bass and the perfect, consistent and filling bassline that fills all the songs. Not to mention impressive vocals from Fafara and many catchy hooks. Not forgetting either to look out for the solo in ‘Carings Overkill’. The album finishes with ‘Sail’, which begins with a soft intro that is hauntingly beautiful before a heavy yet still haunting guitar riff comes in over the top.

This moves into another good riff and then into some melodic guitar work with undertones of a choir. A slower paced song on the album, Fafara is still able to make the song beautiful whilst being crushing. Filled with the great riffs and ever-present keyboard work that serves as an undertone in the song, the drums still fit and the bass still fills. An impressive and slower paced ending to the album that features a slow and melodic solo, it makes the album feel full and complete and is possibly one of the best closing songs in a while that features hauntingly delicate female vocals. The special edition of the album features two bonus tracks, ‘Shudder’ and ‘Back Down to the Grave’. To be expected, it features heavy riffing, great vocals and tasty, filling bass and drums accompanied by catchy hooks.

This album is again, another strong one from DevilDriver. It’s consistent, ferocious and a huge achievement for the band. Although it isn’t much in the way for technicality, it is still filled with so many great riffs and catchy hooks that it doesn’t seem to bother anyone. The album isn’t riff shy either, seeming as you get so many great riffs within every song. This album boasts strong performances from everyone, Dez and all, and is by far one of their best works to date. There is so much to offer here and this truly delivers the Metal goods. It is heavy, melodic, sometimes slow and down right great to blast out loud. If you’re a fan, you’ll love it. If you’ve never listened to them, then this is an album to check out for you. One of the best albums I’ve heard all year and that is saying something seeming as it’s had to compare with the likes of the highly popular ‘Asking Alexandria’ and ‘Escape the Fate’ whilst dueling with ‘Avenged Sevenfold’ ‘Avantasia’, ‘Bullet for My Valentine’, ‘Bring Me the Horizon’ and ‘Amon Amarth’ with Metal Gods ‘Megadeth’ and ‘Black Sabbath’ also releasing new material this year. This is a must for ALL Metal fans and will do more than satisfy your thirst for something truly great.

9/10

- Asa

DevilDriver, The Faceless, Dying Fetus, Job For A Cowboy, 3 Inches Of Blood and Impending Doom will hit the road together for the second annual Metalliance Tour in March/April 2012.

3/15 Austin, TX @ SXSW / Scoot Inn
3/16 New Orleans, LA @ The Hangar
3/17 St Petersburg, FL @ State Theater
3/18 Charlotte, NC @ Amos’ Southend
3/20 Baltimore, MD @ Sonar
3/21 New York, NY @ Gramercy Theater
3/22 Danvers, MA @ Palace Ballroom
3/23 Montreal, QC @ Club Soda
3/24 Toronto, ON @ Opera House
3/25 Columbus, OH @ Alrosa Villa
3/26 Joliet, IL @ Mojoe’s
3/27 St Paul, MN @ Station-4
3/28 Winnipeg, MB @ Garrick Centre
3/29 Regina, SK @ Riddell Centre
3/30 Edmonton, AB @ Edmonton Events Centre
3/31 Vancouver, BC @ Rickshaw Theater
4/01 Seattle, WA @ Studio Seven
4/03 Portland, OR @ Hawthorne Theater
4/05 Oakland, CA @ The Pound
4/06 Pomona, CA @ Fox Theater
4/07 Tempe, AZ @ Marquee Theater
4/09 Denver, CO @ The Summit Music Hall
4/10 Omaha, NE @ Sokol Auditorium
4/11 Des Moines, IA @ 7 Flags Event Center
4/13 Memphis, TN @ New Daisy Theater
4/15 Lawrence, KS @ Granada Theater
4/16 Tulsa, OK @ Cain’s Ballroom
4/19 Dallas, TX @ House Of Blues
4/20 Austin, TX @ Emo’s East
4/21 Houston, TX @ House Of Blues

Posted
AuthorJordan Mohler
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