What to say about this new release from Progressive Metal masters Dream Theater… if you know the band, you know the  drill. You know what to expect from them. But you may be surprised. Dream Theater’s twelfth studio album effort, entitled ‘Dream Theater’, is a very mellow album from the band. Although that isn’t to say it is boring. In actual fact, it is anything but that.

Filled with iconic riffs, some top-notch drumming, eargasm imposing vocals and the some truly magnificent solos, this album is filled with so many things that make the band who they are. And I must admit, for a bands twelfth album, that is damn impressive.

The album starts with a fantastic intro track named ‘False Awakening Suite’. An impressive intro that is split in to three parts; I: Sleep Paralysis, II: Night Terrors and III: Lucid Dreaming. It’s a track that sets a mood and shows you the tone of the album. It is mezmerising and engaging to anyone who dares to listen to it and is something that will get Theater fans all over screaming at the top of their lungs. The next track was the single of the album, ‘The Enemy Inside’. This is one of the more heavier tracks on the album. Filled with iconic Petucci riffs and great vocal power, the track works well. The ever-present bass and the fantastic, ever-changing drumming makes the backbone of the track, giving it a strong, powerful feel.

The album plows through light tracks and more heavier tunes such as ‘The Looking Glass’, ‘The Bigger Picture’ ‘Behind the Veil’, ‘Surrender to Reason’ and ‘Along For the Ride’. Each track offers something new and exciting for the listener, whether it be great vocals, astonishing and beautiful riffs, a scrumptious bass-line or strange yet strongly amazing drumming. This album has a lot to offer but the two tracks that stand out on here are ‘Enigma Machine’ and the twenty-two minute long, five part epic closer that is ‘Illumination Theory’. ‘Enigma Machine’ is just one of those strong, fast-paced masterpieces that you can expect from Dream Theater. It has some heavy riffs and the vocal performance here is indeed, very, very strong.

The bass and drums keep the masterpiece in tact throughout but yet the odd time sgnature changes and little beats keep the whole thing fresh. Not to mention one of the truly most astonishing solos that has been on any album all year (from non other than guitar God, John Petucci). This track blitzs through and is something that will blow your mind. But yet if you think that was enough to satisfy, then you are wrong. If you think that that is as good as it gets then you need to feast your ears upon the closing track on this album. The album itself is astonishing but nothing quite says ‘holy shit’ like a five part epic that spans over twenty-two minutes. Theater are known for their songs of epic length and this is no exception. ‘Illumination Theory’ is something truly God-like.

A masterpiece of beautiful craftsmanship, it is a song that builds up, progresses and slows done until it reaches a climatic finish that is as powerful as a nuclear weapon. All five parts (I: Paradoxe de la Lumière Noire, II: Live, Die, Kill, III: The Embracing Circle, IV: The Pursuit of Truth and V: Surrender, Trust & Passion) add something different and the track itself is filled with mind-boggling time changes, monster riffs, truly amazing guitar mastery, mind-bending drumming, beautiful bass-lines and magical vocal power.It is a truly astonishing ending to a fantastic album.

An album filled with Rush-like anthems but with the Dream Theater punch, ‘Dream Theater’ is by far the most mesmerizing and magnificent album released so far this year. Supported heavily by its fantastic production value and a perfectly done mix, the final product is something that will blow anyone’s mind. With the ever-present time signature changes (that are noticeable but don’t ruin the tracks during the process) and with the instruments and vocals working in perfect harmony with each other, Dream Theater’s twelfth studio outing proves that they are still a force to be reckoned with.

Being Prog-Metal Gods is no easy challenge but Dream Theater make it seem like it is as easy as locking up your door. Everything here works and, although it isn’t something that everyone will like, it is bound to grab some peoples attention. If you haven’t heard of them then prick up your ears and listen to this, you are bound to find something you like here. If you already like Dream Theater then pick this up immediately, it won’t disappoint you. As for me, it isn’t the best album of the year but it is the most mesmerizing. Dream Theater, you have my
approval.

8.5/10

- Asa

Posted
AuthorJordan Mohler

Every Time I Die announces US tour with letlive & Code Orange Kids. It’ll be the last tour of the Ex-Lives album cycle. Dates/cities are below

11/21 Cleveland, OH – Now That’s Class
11/22 Columbus, OH – The Basement
11/23 Detroit, MI – Magic Stick
11/24 Chicago, IL – Reggies Live
11/25 Des Moines, IA – The Vaudeville Mews
11/26 Omaha, NE – The Waiting Room
11/27 Columbia, MO – Mojos
11/29 Denver, CO – The Summit Music Hall
11/30 Colorado Springs, CO – Black Sheep
12/03 Los Angeles, CA – Roxy Theatre
12/04 Camarillo, CA – Rock City
12/05 Anaheim, CA – Chain Reaction
12/06 La Jolla, CA – Che Cafe
12/07 Scottsdale, AZ – Pub Rock
12/09 Lubbock, TX – Jakes Sports Cafe
12/10 Oklahoma City, OK – The Conservatory
12/11 Springfield, MO – Outland Ballroom
12/12 St Louis, MO – Firebird
12/13 Indianapolis, IN – Emerson Theatre
12/14 Huntington, WV – V Club Live
12/15 Lancaster, PA – Lancaster County Convention Center
12/16 Philadelphia, PA – Kung Fu Necktie
12/17 Asbury Park, NJ – Asbury Lanes
12/18 Brooklyn, NY – Saint Vitus
12/19 Northampton, MA – Pearl Street
12/20 Buffalo, NY – Waiting Room
12/21 Buffalo, NY – Waiting Room

Posted
AuthorJordan Mohler

Tooth & Nail Records became the most controversial record label of the ‘90s. In early 1993, after watching a handful of hardcore bands in Southern California, Brandon Ebel, son of a preacher from a small town in Oregon, saw something special. He took a loan from his grandfather, and with a little cash and even less industry experience, he launched one of the most influential independent labels in the last twenty years.

From its start, the label seemed destined to fail. Ebel lived on five dollars a day, but his relentless belief in the music inspired him to transform Tooth & Nail from an insignificant startup to a label selling over 20,000,000 records and breaking bands like MxPx, Underoath, August Burns Red, and Anberlin. No New Kinda Story is a no-holds-barred, behind the scene look at the rise, fall, and rebirth of the iconic label.

For more information on Tooth & Nail Records: toothandnail.com

Posted
AuthorJordan Mohler

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Razor & Tie announces the addition of New York-based band, The Pretty Reckless to its growing U.S. label roster.  The band is currently working on their forthcoming new studio album which is due out in 2014. Universal will release the new record in Canada and a release partner for the rest of the world will be announced soon.

The group recently premiered a new track called “Going To Hell” which is now available for sale in United States and Canada at the iTunes Store Listen to the song here: http://bit.ly/GoingtoHell.
 
The Pretty Reckless Tour Dates
w/ Heaven’s Basement
September 25 – Jacksonville, FL – Jack Rabbits
September 26 - Tampa, FL - The Orpheum
September 27- Ft. Lauderdale, FL 0 Revolution Live
September 28   - Orlando, FL - The Social
September 29-Pensacola, FL -Vinyl Music Hall
September 30-New Orleans, LA-House of Blues
October 2 - Houston, TX -House of Blues
October 3- Austin, TX - The Parish
October 4 -Dallas, TX -House of Blues
October 5 -San Antonio, TX - Sam’s Burger Joint
October 7 -Scottsdale, AZ -Pub Rock Live
October 9 -San Diego, CA -House of Blues
October 10 -Anaheim, CA -House of Blues
October 11 -Los Angeles, CA - House of Blues
October 12 -San Francisco, CA - Slim’s
October 14 -Portland, OR - Hawthorne Theatre
October 15 -Seattle, WA - El Corazon
October 16 -Vancouver, BC -Rio Theatre
October 18 -Edmonton, AB-The Starlite Room
October 19 -Calgary, AB- The Den
October 20 -Saskatoon, SK - Louis’ Pub
October 21 -Winnipeg, MB - West End Cultural Centre
October 23-Minneapolis, MN-Varsity Theatre
October 25-Detroit, MI-St. Andrew’s Hall
October 26-Indianapolis, IN-Deluxe at ONC
October 27-Chicago, IL-House of Blues
October 29-Columbus, OH- A&R Music Bar
October 30-Pittsburgh, PA-Stage AE
October 31-Cleveland, OH -House of Blues
November 1 -   Cincinnati, OH-Bogart’s
November 3 -   Washington, DC-The Fillmore
November 4 -   Toronto, ON-Phoenix Concert Theatre
November 5 -   Quebec City, QC-Le Cercle
November 8-    Montreal, QC-Theatre Corona
November 9-    New York, NY-Irving Plaza
November 10- Philadelphia, PA-Theatre of  Living Arts
November 11-Boston, MA  - Paradise Rock Club
Posted
AuthorJordan Mohler

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If there was ever any question about rock ‘n’ roll being alive and well, the answer has arrived in the form of Monster Energy’s Rock Allegiance Tour. The late summer trek will feature four game-changing rock bands from four different countries, with Volbeat, HIM, All That Remains and Airbourne on the bill.

Airbourne had a family emergency so they had to drop off the tour.

The show started a bit early with All That Remains opening the show in Airbourne’s absence. In classic ATR fashion, vocalist Phillip Labonte was wearing a camo hat with a curved bill and cargo shorts. The metalcore band from Massachusetts (where all the good metal bands are from) opened the show with a song from their 2010 effort, “For We Are Many”. The crowd was unresponsive for the half of the set until the band pulled older songs from their catalog such as, Forever in Your Hands, Six, Two Weeks, and This Calling. Oli Herbert’s guitar solos were point along with bassist’s Jeanne Sagan back-up growls. Jason Costa was the first metal drummer I’d seen using traditional grip for his drumsticks.

I’ll be honest; I’d never heard of HIM till I watched Viva La Bam way back in the day when MTV had “quality” programming. Bam licensed their logo and had used it for a variety of things. Notably, the beanie he always wore on the show. I watched HIM’s not being too familiar with their albums/songs. I’d had only heard Dead Lover’s Lane on Viva La Bam and Passion’s Killing Floor on Transformers: The Album. The band were all business; only stopping a few times to interact with the crowd. Hopefully, the band do another USA tour that will be a headlining trek.

Editor’s Note: I left after HIM cause I’m not a fan of Volbeat.

Metal legends DEICIDE will release ‘IN THE MINDS OF EVIL’ November 25 in North America via Century Media Records, and frontman and founding member Glen Benton couldn’t be more proud of his latest offering of evil incarnate.

The album is the eleventh studio recording of an illustrious career spanning more than 25 years, and is produced by Jason Suecof. The album’s jarring cover was taken from Australian artist Simon Cowell’s painting “Power Of The Mind” and offers a fitting face to the album’s 11 tracks.

1. In The Minds Of Evil

2. Thou Begone

3. Godkill

4. Beyond Salvation

5. Misery Of One

6. Between The Flesh And The Void

7. Even The Gods Can Bleed

8. Trample The Cross

9.  Fallen To Silence

10. Kill The Light Of Christ

11. End The Wrath Of God

Topshelf Records has added a FREE all ages show at Suburbia in Brooklyn, NY during CMJ on October 18. A CMJ badge is not required to attend. The lineup features the return of influential indie veterans The Jazz June as well as The Saddest Landscape, Prawn, Enemies , Caravels and My Fictions.

 RSVP to the event on Facebook: https://www.facebook.com/events/1415004542050938.

Posted
AuthorJordan Mohler

Indie-alternative rock band Balance and Composure has released a new video today for their song “Reflection” at Vevo.com.  The track is featured on the band’s recently released record, The Things We Think We’re Missing, which is available now at iTunes, Amazon, No Sleep Records and local indie retailers

Posted
AuthorJordan Mohler